Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.  Related Paintings of Bartolome Esteban Murillo :. | Joseph and Potiphars Wife | Birth of the Virgin | Beaded rosary of Our Lady holding the child | Santa Fei-Na | San Salvador de Horta et lInquisiteur Aragon |
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Evert Oudendijck
(1650, Haarlem - 1695, Haarlem), was a Dutch Golden Age painter. According to Houbraken he painted stag hunts and other hunting scenes in landscapes, along with the artist "Drossaart". He was the father of Adriaen Oudendijck. According to the RKD he was registered in the Haarlem Guild of St. Luke in 1663 as the pupil of Adriaen van Ostade which would make him about 15 years old at that time.His registration as a member of the guild in 1646 is therefore impossible. Though Evert Oudendijk is listed in the Haarlem guild register as a member in 1646, he probably became a member in 1664 (a year suspiciously lacking member registrations), like other members mistakenly registered in 1646, such as Evert Collier and Egbert van Heemskerck. He is listed two other times in the Haarlem guild; in 1663 (listed as Ostade's pupil "Evert Adriaanszen van Oudendijck") and as painter in 1670.
franz schubert
Period: Romantic (1820-1869) Country: Austria Born: January 31, 1797 in Vienna, Austria Died: November 19, 1828 in Vienna, Austria Genres: Chamber Music, Choral Music, Concerto, Keyboard Music, Miscellaneous Music, Opera, Orchestral Music, Symphony, Vocal Music
Vilhelm Melbye
(14 May 1824 - 6 October 1882) was a Danish marine artist, the brother of Anton Melbye and Fritz Melbye. He worked in London from 1853 to 1866 and, over the course of his career, painted seascapes, coastal and harbor scenes, sailing vessels and topographical subjects in many parts of Europe, especially in the Mediterranean region. Knud Frederik Vilhelm Hannibal Melbye was born on 14 May 1824 in Elsinore, Denmark. He first trained to become a merchant but then turned to painting, studying under his older brother Anton, already an established marine painter, and attending the Royal Danish Academy of Fine Arts from 1844 to 1847. He also took private classes in perspective drawing with Carl Dahl. In 1847, he went on his first journey, to Iceland aboard the corvette Valkyrien, and the following year he traveled to Paris by way of Desseldorf. In Paris he studied with Theodore Gudin (1802 - 1880) before returning to Denmark in 1849. From 1853 to 1866, he lived in London and it was here he changed his name from Vilhelm to Wilhelm. He was appointed Professor at the academy in Copenhagen in 1880 but died in 1882 in Roskilde. He is interred at Assistens Cemetery in Copenhagen.